Review: Motley Crue offers debauchery, little else in San FranciscoTommy Lee looks for trouble in San FranciscoBy JIM HARRINGTON
Motely Crue bassist Nikki Sixx was feeling generous midway through his band’s co-headlining set on Wednesday night (Sept. 7) at Oracle Park in San Francisco.
“You want this towel?” the San Jose native asked a woman standing in front of the stage. “I have a feeling that it’s exactly like the towel I gave your mom in 1987.”
There was certainly a lot of nostalgia and memories in the mix — not to mention several moments exhibiting questionable taste — as the hottest rock road show of the year rolled into the home of the San Francisco Giants with co-headliners Motley Crue and Def Leppard as well as support acts Poison and Joan Jett & the Blackhearts.
The accurately named Stadium Tour show was underscored by the fact that so little has changed for these acts over the decades. Jett is still rock royalty, delivering street-tough numbers with big sing-along hooks and a garage-rock attitude. Poison is still about “Nothin’ But a Good Time,” with vocalist Bret Michaels doing his best to put on a good show for fans and C.C. DeVille deliver plenty of blistering leads. Def Leppard is still like a slightly harder version of Journey, with a focus on clean sounding, expertly performed stadium anthems.
And Motley Crue is still, well, Motley Crue.
The classic (but rarely classy) Sunset Strip act was high on debauchery, low on professionalism, and was massively outshone in the music department by every other act on the bill. Yet, it also arguably delivered the most memorable set of the day — and surely was the band that most people were talking about the next morning.
So, yeah, nothing much has changed for the group.
The Crue made its intentions known at the very start of its approximately 90-minute set, kicking off with “Wild Side.” Vince Neil, never one of the better front men in hard rock, was short on charisma, stage presence, purpose and, most of all, vocal chops as he continued to limp his way through “Too Fast for Love” and other fan favorites.
“Who likes the old (expletive)?” Neil asked the crowd, before giving them a steady stream of it, with 11 of the 15 songs played hailing from the group’s five ’80s albums.
Interestingly, one of the best songs of the set was a relatively new one — “The Dirt (Est. 1981)” — but that might be because it was also the only number to feature a guest (in this case, Machine Gun Kelly, who appeared on a video on the big side screens while the band played live).
The band was apparently out to set a record in terms of F-bombs uttered, seemingly including at least one in every sentence, and devoted plenty of screen time to its scantily clad Nasty Habits female dance crew. Yet, the debauchery level went to the next level — as it usually does — when Tommy Lee took centerstage.
“Now, what kind of trouble can we get into tonight?” he asked.
Lee — who is known for his leaked ’90s sex tape with then-wife Pamela Anderson as much as for his drumming skills — took the opportunity to bring up his recent nude selfies he posted on Instagram. He then suggested that some reciprocation was in order: Since people had already seen his (not so) private parts, they should expose themselves to him.
Few took him up on the idea. But one man — according to Lee, a first for the tour — did drop trou, exposing himself to 30,000-plus fans in attendance at this all-ages show via the big screens in the outfield.
In terms of the decadence displayed by Motley Crue, every other act on the bill pretty much came across like ABBA.
Joan Jett took the stage early in the day, as fans were still filling out the stadium and went about showcasing all the reasons she was inducted into the Rock and Roll Hall of Fame in 2015. The singer sounded terrific as she displayed her patented mix of old-school rock ‘n’ roll and punk edge on such favorites as “Cherry Bomb,” “Do You Wanna Touch Me (Oh Yeah)” and “I Hate Myself for Loving You.”
Bret Michaels was overflowing with smiles and gratitude as he led Poison through “Look What the Cat Dragged In,” “Fallen Angel,” “Ride the Wind” and other numbers.
“I’ve needed this energy that is happening right here for two and a half (expletive) years,” he said, referencing that the tour had been postponed due to the COVID-19 pandemic. “Thank you for your time. We don’t get to do any of this without all of you here partying.
“Thank you for holding on for two years.”
The highlight of the Poison set — and, indeed, the entire show — was the showcase given to C.C. DeVille, who used the spotlight to show once again why he ranks among the genre’s most impressive guitarists.
Def Leppard thankfully closed the roughly six-hour show in fine fashion, offering up a 17-song nightcap filled with some of the most beloved pop-metal songs of the ’80s.
It was basically hit after hit after hit (plus a few mediocre new songs) as the group — featuring vocalist Joe Elliott, bassist Rick Savage, drummer Rick Allen and the great guitar combo of Phil Collen and Vivian Campbell — thrilled the fans with the likes of “Let It Go,” “Armageddon It,” “Bringin’ On the Heartbreak” and “Hysteria.”
The band saved the best for last, running through “Pour Some Sugar on Me,” “Rock of Ages” and “Photograph” before the Stadium Tour moved on to its final stop on the itinerary — Sept. 9 at Allegiant Stadium in Las Vegas.
Source
